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to utter- vocalize, so as to intend, to express.
What does it mean to ‘utter’ as a dancer, as a musician, in a performance space?
In Utterance, Connor Freeman (choreographer) and I explore the various ‘utterances’ of the dance and musical personas on stage: their intentions, their emotions, and their relation to one another, all melded into a whirlpool of shifting states: of individualism, collectivism, and anonymity; of curiosity, frustration, and obsession; of integration and disintegration.
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